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Towards a Bourdieusian analysis of the social composition of the UK film and television workforce

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contributor authorRandle, Keith
contributor authorForson, Cynthia
contributor authorCalveley, Moira
date accessioned2017-07-14T14:40:39Z
date available2017-07-14T14:40:39Z
date issued2015-01-01
identifier citationRandle , K , Forson , C & Calveley , M 2015 , ' Towards a Bourdieusian analysis of the social composition of the UK film and television workforce ' Work, Employment and Society , vol 29 , no. 4 , pp. 590-606 . DOI: 10.1177/0950017014542498en
identifier issn0950-0170
identifier otherPURE: 10748476
identifier otherPURE UUID: 57673636-3676-4bf2-89ff-028e58bd3f28
identifier otherScopus: 84937216208
identifier urihttp://hdl.handle.net/2299/18955
identifier urihttp://www.scopus.com/inward/record.url?scp=84937216208&partnerID=8YFLogxKen
descriptionThe final, definitive version of this paper has been published in Work, employment and society, Vol. 29(4), October 2014, published by SAGE Publishing, All rights reserved. DOI: https://doi.org/10.1177/0950017014542498 © 2014, © The Author(s) 2014.en
description abstractThe social composition of the workforce of the UK film and television industries does not reflect the diversity of the population and the industries have been described as white, male and middle class. While the lack of specific demographic representation in employment (for example gender or ethnicity) has been highlighted by both industry and academic commentators, its broader social composition has rarely been addressed by research. This article draws on the work of Bourdieu, particularly the concepts of field, habitus and capitals, to explore perceptions of the barriers to entry into these industries and the way in which individuals negotiate these by drawing on the various capitals to which they have access.en
format extent17en
language isoeng
relation ispartofWork, Employment and Societyen
rightsen
subjectBourdieuen
subjectcapitalsen
subjectdiversityen
subjectfilmen
subjectsocial compositionen
subjecttelevisionen
subjectworkforceen
titleTowards a Bourdieusian analysis of the social composition of the UK film and television workforceen
typeArticleen
contributor institutionHertfordshire Business Schoolen
contributor institutionSocial Sciences, Arts & Humanities Research Instituteen
contributor institutionCentre for Research on Management, Economy and Societyen
contributor institutionCreative Economy Research Centreen
contributor institutionWork and Employment Research Uniten
contributor institutionHealthcare Management and Policy Research Uniten
contributor institutionUniversity of Hertfordshireen
identifier doihttp://dx.doi.org/10.1177/0950017014542498
description versionpublishersversionen
description statusPeer revieweden


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