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dc.contributor.authorHolderness, G.
dc.date.accessioned2014-12-04T13:17:17Z
dc.date.available2014-12-04T13:17:17Z
dc.date.issued2013-12
dc.identifier.citationHolderness , G 2013 , ' The Seeds of Time ' Critical Survey , vol. 25 , no. 3 , pp. 88-113 . https://doi.org/10.3167/cs.2013.250305
dc.identifier.issn0011-1570
dc.identifier.otherPURE: 7762101
dc.identifier.otherPURE UUID: e4067bb8-7c13-4654-aaf2-c41d696ec22a
dc.identifier.otherScopus: 84912138751
dc.identifier.urihttp://hdl.handle.net/2299/14892
dc.description.abstractA fictional exploration of the uses of Shakespeare in the Great Exhibition of 1851, the Festival of Britain of 1951, and the 2012 London Olympics, in the form of an imitation of H.G.Wells's story The Time Machine.en
dc.format.extent25
dc.language.isoeng
dc.relation.ispartofCritical Survey
dc.rights/dk/atira/pure/core/openaccesspermission/open
dc.subjectShakespeare industry commerce festivals
dc.titleThe Seeds of Timeen
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionEnglish Literature
dc.description.statusPeer reviewed
dc.relation.schoolSchool of Humanities
dc.description.versiontypeFinal Accepted Version
rioxxterms.versionAM
rioxxterms.versionofrecordhttps://doi.org/10.3167/cs.2013.250305
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue
herts.rights.accesstypeopenAccess


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