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        Electronic Dance Music in Narrative Film

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        Filoseta_R_2020_EDM_in_Narrative_Film_pre_publication_copy.pdf (PDF, 442Kb)
        Author
        Filoseta, Roberto
        Attention
        2299/21389
        Abstract
        As a growing number of filmmakers are moving away from the traditional model of orchestral underscoring in favor of a more contemporary approach to film sound, electronic dance music (EDM) is playing an increasingly important role in current soundtrack practice. With a focus on two specific examples, Tom Tykwer’s Run Lola Run (1998) and Darren Aronofsky’s Pi (1998), this essay discusses the possibilities that such a distinctive aesthetics brings to filmmaking, especially with regard to audiovisual rhythm and sonic integration.
        Publication date
        2020
        Published in
        Foundations in Sound Design for Linear Media
        Published version
        https://doi.org/10.4324/9781315106335
        Other links
        http://hdl.handle.net/2299/21389
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