| dc.contributor.author | Broughton, Mark | |
| dc.date.accessioned | 2017-06-22T11:07:21Z | |
| dc.date.available | 2017-06-22T11:07:21Z | |
| dc.date.issued | 2003-07-19 | |
| dc.identifier.citation | Broughton , M 2003 , ' ‘Intermedial Extensions: Brideshead Revisited and its Distribution History' ' , Paper presented at Multimedia Histories: From the Magic Lantern to the Internet , Exeter , United Kingdom , 18/07/03 - 20/07/03 . | |
| dc.identifier.citation | conference | |
| dc.identifier.other | PURE: 9812453 | |
| dc.identifier.other | PURE UUID: 6c6e5446-7166-489e-a727-836c86ac89e3 | |
| dc.identifier.uri | http://hdl.handle.net/2299/18412 | |
| dc.description | Mark Broughton, ‘Intermedial Extensions: Brideshead Revisited and its Distribution History', paper presented at Multimedia Histories: From the Magic Lantern to the Internet, Exeter, UK, 18-20 July, 2003. | |
| dc.description.abstract | Little attention has been paid to the effects that different distribution windows in the pre-DVD era had on television programmes. This paper considers the architecture in Granada's Brideshead Revisited and how cinema projection's enlargement of buildings and video's bringing together of segmented spaces inflected the programme's architectural narrative. | en |
| dc.language.iso | eng | |
| dc.title | ‘Intermedial Extensions: Brideshead Revisited and its Distribution History' | en |
| dc.contributor.institution | School of Creative Arts | |
| dc.contributor.institution | Art and Design | |
| dc.contributor.institution | Theorising Visual Art and Design | |
| dc.contributor.institution | Media Research Group | |
| dc.contributor.institution | Creative Economy Research Centre | |
| dc.description.status | Peer reviewed | |
| rioxxterms.version | AM | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
