| dc.contributor.author | Liu, Michelle | |
| dc.date.accessioned | 2023-10-04T14:15:00Z | |
| dc.date.available | 2023-10-04T14:15:00Z | |
| dc.date.issued | 2022-03-07 | |
| dc.identifier.citation | Liu , M 2022 , ' Paintings of Music ' , Journal of Aesthetics and Art Criticism , vol. 80 , pp. 151-163 . https://doi.org/10.1093/jaac/kpac003 | |
| dc.identifier.issn | 1540-6245 | |
| dc.identifier.other | ORCID: /0000-0003-4427-1235/work/143863340 | |
| dc.identifier.uri | http://hdl.handle.net/2299/26841 | |
| dc.description | © The Author(s) 2022. Published by Oxford University Press on behalf of the American Society for Aesthetics. All rights reserved. This is the accepted manuscript version of an article which has been published in final form at https://doi.org/10.1093/jaac/kpac003 | |
| dc.description.abstract | Paintings of music are a significant presence in modern art. They are cross-modal representations, aimed at representing music, say, musical works or forms, using colours, lines and shapes in the visual modality. This paper aims to provide a conceptual framework for understanding paintings of music. Using examples from modern art, the paper addresses the question of what a painting of music is. Implications for the aesthetic appreciation of paintings of music are also drawn. | en |
| dc.format.extent | 13 | |
| dc.format.extent | 351618 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Journal of Aesthetics and Art Criticism | |
| dc.title | Paintings of Music | en |
| dc.contributor.institution | School of Social Sciences, Humanities and Education | |
| dc.contributor.institution | Philosophy | |
| dc.description.status | Peer reviewed | |
| dc.date.embargoedUntil | 2024-03-07 | |
| rioxxterms.versionofrecord | 10.1093/jaac/kpac003 | |
| rioxxterms.type | Journal Article/Review | |
| herts.preservation.rarelyaccessed | true | |
