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dc.contributor.authorPeacock, Steven
dc.date.accessioned2013-04-24T14:00:02Z
dc.date.available2013-04-24T14:00:02Z
dc.date.issued2012-11
dc.identifier.citationPeacock , S 2012 , ' The collaborative film work of Greengrass and Damon : a stylistic state of exception ' , New Cinemas , vol. 9 , no. 2-3 , pp. 147-160 . https://doi.org/10.1386/ncin.9.2-3.147_1
dc.identifier.issn1474-2756
dc.identifier.otherPURE: 1432138
dc.identifier.otherPURE UUID: 82d63307-8b50-4852-9515-6f12515be9cc
dc.identifier.otherScopus: 84872951934
dc.identifier.urihttp://hdl.handle.net/2299/10495
dc.description.abstractThis article considers formal negotiations of terrorism in the collaborative film work of one director (Paul Greengrass) and one actor (Matt Damon). It explores the coupling of stylistic dynamics and sociocultural concerns in the Greengrass/Damon films: The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Green Zone (2010).en
dc.format.extent14
dc.language.isoeng
dc.relation.ispartofNew Cinemas
dc.subjectfilm
dc.subjectstyle
dc.subjectHollywood
dc.subjectterrorism
dc.subjectAgamben
dc.titleThe collaborative film work of Greengrass and Damon : a stylistic state of exceptionen
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionFilm
dc.contributor.institutionMedia
dc.description.statusPeer reviewed
dc.relation.schoolSchool of Humanities
dcterms.dateAccepted2012-11
rioxxterms.versionofrecordhttps://doi.org/10.1386/ncin.9.2-3.147_1
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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