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dc.contributor.authorShaw, Tony
dc.date.accessioned2013-08-12T11:33:24Z
dc.date.available2013-08-12T11:33:24Z
dc.date.issued2013
dc.identifier.citationShaw , T 2013 , ' "Rotten to the Core" : Exposing America’s Energy-Media Complex in The China Syndrome (1979) ' , Cinema Journal , vol. 52 , no. 2 , pp. 93-113 . https://doi.org/10.1353/cj.2013.0011
dc.identifier.otherPURE: 785283
dc.identifier.otherPURE UUID: 81b832a8-df5d-4f39-a2f3-2ba1b1ebe8a6
dc.identifier.otherScopus: 85030982211
dc.identifier.urihttp://hdl.handle.net/2299/11333
dc.descriptionTony Shaw, '"Rotten to the Core": Exposing America's Energy-Media Complex in The China Syndrome', Cinema Journal, Vol. 52(2), Winter 2013, available online at http://muse.jhu.edu/article/496310 Copyright © 2013 University of Texas Press
dc.description.abstractThis article conducts a case study of the 1979 thriller The China Syndrome (James Bridges). It explores the motives of the film’s architects, notably Jane Fonda, and examines the role that The China Syndrome played in framing both the Three Mile Island nuclear accident and the notion of an energy-media complex for the public in the United States and abroad.en
dc.format.extent20
dc.language.isoeng
dc.relation.ispartofCinema Journal
dc.title"Rotten to the Core" : Exposing America’s Energy-Media Complex in The China Syndrome (1979)en
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionHistory
dc.description.statusPeer reviewed
rioxxterms.versionVoR
rioxxterms.versionofrecordhttps://doi.org/10.1353/cj.2013.0011
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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