| dc.contributor.author | Peacock, Steven | |
| dc.contributor.editor | Peacock, Steven | |
| dc.date.accessioned | 2013-09-18T13:15:17Z | |
| dc.date.available | 2013-09-18T13:15:17Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Peacock , S 2013 , Crossing the Line : Millennium and Wallander On Screen and the Global Stage . in S Peacock (ed.) , Stieg Larsson's Millennium Trilogy : Interdisciplinary Approaches to Nordic Noir on Page and Screen . Palgrave Macmillan , London , pp. 98-117 . | |
| dc.identifier.isbn | 9780230390430 | |
| dc.identifier.isbn | 9780230390447 | |
| dc.identifier.other | PURE: 2134922 | |
| dc.identifier.other | PURE UUID: 658a2ece-57f4-43d6-bfeb-f21f5d8e8100 | |
| dc.identifier.uri | http://hdl.handle.net/2299/11619 | |
| dc.description.abstract | Through a combination of socio-historical analysis and close criticism, the chapter explores the intersections between adaptations of Larsson and Mankell's written work, particularly in terms of their relationship to Sweden's place in the global age. | en |
| dc.format.extent | 20 | |
| dc.language.iso | eng | |
| dc.publisher | Palgrave Macmillan | |
| dc.relation.ispartof | Stieg Larsson's Millennium Trilogy | |
| dc.subject | stieg larsson millennium trilogy girl dragon tattoo nordic noir | |
| dc.title | Crossing the Line : Millennium and Wallander On Screen and the Global Stage | en |
| dc.contributor.institution | English Literature and Creative Writing | |
| dc.contributor.institution | School of Humanities | |
| dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
| dc.contributor.institution | Film | |
| dc.contributor.institution | Media | |
| rioxxterms.version | VoR | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
