Crossing the Line : Millennium and Wallander On Screen and the Global Stage

dc.contributor.author	Peacock, Steven
dc.contributor.editor	Peacock, Steven
dc.date.accessioned	2013-09-18T13:15:17Z
dc.date.available	2013-09-18T13:15:17Z
dc.date.issued	2013
dc.identifier.citation	Peacock , S 2013 , Crossing the Line : Millennium and Wallander On Screen and the Global Stage . in S Peacock (ed.) , Stieg Larsson's Millennium Trilogy : Interdisciplinary Approaches to Nordic Noir on Page and Screen . Palgrave Macmillan , London , pp. 98-117 .
dc.identifier.isbn	9780230390430
dc.identifier.isbn	9780230390447
dc.identifier.uri	http://hdl.handle.net/2299/11619
dc.description.abstract	Through a combination of socio-historical analysis and close criticism, the chapter explores the intersections between adaptations of Larsson and Mankell's written work, particularly in terms of their relationship to Sweden's place in the global age.	en
dc.format.extent	20
dc.format.extent	125413
dc.language.iso	eng
dc.publisher	Palgrave Macmillan
dc.relation.ispartof	Stieg Larsson's Millennium Trilogy
dc.subject	stieg larsson millennium trilogy girl dragon tattoo nordic noir
dc.title	Crossing the Line : Millennium and Wallander On Screen and the Global Stage	en
dc.contributor.institution	English Literature and Creative Writing
dc.contributor.institution	School of Humanities
dc.contributor.institution	Social Sciences, Arts & Humanities Research Institute
dc.contributor.institution	Film
dc.contributor.institution	Media
rioxxterms.type	Other
herts.preservation.rarelyaccessed	true

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