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dc.contributor.authorMarques Sampaio, Daniel
dc.date.accessioned2014-02-11T12:58:52Z
dc.date.available2014-02-11T12:58:52Z
dc.date.issued2010
dc.identifier.citationMarques Sampaio , D 2010 , ' Double Erasure : Building the Dome, Rebuilding Britain ' , Revista Magistro , vol. 2 , no. 1 , pp. 18-29 .
dc.identifier.otherPURE: 1851709
dc.identifier.otherPURE UUID: 23e05432-0887-4bfe-851e-97f802f23f7a
dc.identifier.urihttp://hdl.handle.net/2299/12787
dc.description.abstractThis paper discusses two projects associated with the Millennium celebrations in London: the regeneration of Greenwich Peninsula, and the building of the Millennium Dome. The paper examines the Labour Government’s appropriation of these interrelated projects, which started as a Conservative Party’s proposal. It is argued that Labour attempted to redefine them into a narrative of national renewal by employing a discourse of inclusiveness, consensus, and togetherness that entailed ignoring, even erasing, the complex history of the siteen
dc.language.isoeng
dc.relation.ispartofRevista Magistro
dc.subjectArts and Humanities(all)
dc.titleDouble Erasure : Building the Dome, Rebuilding Britainen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionTheorising Visual Art and Design
dc.description.statusPeer reviewed
dc.identifier.urlhttp://publicacoes.unigranrio.edu.br/index.php/magistro/article/view/1085
dc.relation.schoolSchool of Creative Arts
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue
herts.rights.accesstyperestrictedAccess


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