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dc.contributor.authorGoodbrey, Daniel
dc.contributor.editorDittmer, Jason
dc.date.accessioned2014-02-24T09:58:57Z
dc.date.available2014-02-24T09:58:57Z
dc.date.issued2014
dc.identifier.citationGoodbrey , D 2014 , Foreword . in J Dittmer (ed.) , Comic Book Geographies . Franz Steiner Verlag , pp. 9-15 .
dc.identifier.isbn978-3-515-10269-8
dc.identifier.otherPURE: 2793675
dc.identifier.otherPURE UUID: 81151ba9-0206-4d16-865b-01d31801ca27
dc.identifier.otherORCID: /0000-0002-9317-6798/work/32441800
dc.identifier.urihttp://hdl.handle.net/2299/12889
dc.description.abstractIn this foreword Daniel Merlin Goodbrey will outline the ways in which he uses and produces spaces in his work on hypercomics and new media. Goodbrey has led the way in the production of web-based comics, site-specific comics installations, and other mutations of the traditional print comic form. As an industry-leader, he is uniquely positioned to discuss the interconnections between spaces in comics and spaces of comics.en
dc.language.isoeng
dc.publisherFranz Steiner Verlag
dc.relation.ispartofComic Book Geographies
dc.subjectcomics
dc.subjecthypercomics
dc.titleForeworden
dc.contributor.institutionMedia Research Group
dc.contributor.institutionTheorising Visual Art and Design
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionCreative Economy Research Centre
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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