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dc.contributor.editorGeorge, Sam
dc.contributor.editorHughes, Bill
dc.date.accessioned2014-04-03T09:00:19Z
dc.date.available2014-04-03T09:00:19Z
dc.date.issued2013-11
dc.identifier.citationGeorge , S & Hughes , B (eds) 2013 , Open Graves, Open Minds : Representations of Vampires and the Undead from the Enlightenment to the Present Day . Manchester University Press .
dc.identifier.isbn9780719089411
dc.identifier.urihttp://hdl.handle.net/2299/13273
dc.description.abstractThis collection of essays relates the undead in literature, art, and other media to questions concerning gender, technology, consumption, and social change. It covers the Enlightenment investigation of vampires by Dom Augustin Calmet-the source of many later vampire narratives-through Romantic incarnations in Byron and Polidori to the classic tales of Le Fanu's Carmilla and Stoker's Dracula. Further essays discuss the vampire in the context of fin-de-siècle decadence and Oscar Wilde before an examination of the cinematic treatments up to Coppola's Dracula, where the sympathetic vampire appears for the first time. More recent manifestations in novels, TV, young adult fiction (including, of course, Twilight), cinema, and the Internet are dealt with in chapters on True Blood, The Vampire Diaries, Marcus Sedgwick, and the undead in technologyen
dc.format.extent320
dc.format.extent672910
dc.language.isoeng
dc.publisherManchester University Press
dc.subjectvampires undead literature film
dc.titleOpen Graves, Open Minds : Representations of Vampires and the Undead from the Enlightenment to the Present Dayen
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionEnglish Literature
dc.contributor.institutionSchool of Creative Arts
rioxxterms.typeBook
herts.preservation.rarelyaccessedtrue


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