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dc.contributor.authorPurcell, Kerry William
dc.contributor.editorRowbotham, Sheila
dc.contributor.editorBenyon, Huw
dc.date.accessioned2014-05-29T11:00:22Z
dc.date.available2014-05-29T11:00:22Z
dc.date.issued2001
dc.identifier.citationPurcell , K W 2001 , From Riff Raff to Nil by Mouth . in S Rowbotham & H Benyon (eds) , Looking at Class: Film, Television and the Working Class in Britain . Rivers Oram Press , London , pp. 113-131 .
dc.identifier.isbn1854891200
dc.identifier.isbn1854891219
dc.identifier.isbn9781854891211
dc.identifier.otherPURE: 653351
dc.identifier.otherPURE UUID: 8e841551-2c9c-47c2-9e8c-8eb9ab2fa56f
dc.identifier.urihttp://hdl.handle.net/2299/13574
dc.description.abstractTelevision and film not only entertain and reflect social change, they may also participate and influence these changes-the recent success of The Full Monty and Billy Elliot- show popular British comedy based on such painful social transformations. Looking at Class brings together film and television practitioners with academic students of cultural and economic change to examine the media representation of the British working class in the twentieth century-a time of decline for the manual working class when a complex service-based economy emerged. The book covers a large range of genres from documentaries to soaps and shows that complex cultural transitions can be communicated clearly in prose as well as in screen drama.en
dc.language.isoeng
dc.publisherRivers Oram Press
dc.relation.ispartofLooking at Class: Film, Television and the Working Class in Britain
dc.titleFrom Riff Raff to Nil by Mouthen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
dc.relation.schoolSchool of Creative Arts
dcterms.dateAccepted2001
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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