| dc.contributor.author | Maunder, Andrew | |
| dc.contributor.editor | Mangham, Andrew | |
| dc.date.accessioned | 2014-06-16T12:00:34Z | |
| dc.date.available | 2014-06-16T12:00:34Z | |
| dc.date.issued | 2013-10 | |
| dc.identifier.citation | Maunder , A 2013 , Sensation fiction on stage . in A Mangham (ed.) , Cambridge Companion to Sensation Fiction . Cambridge University Press , Cambridge , pp. 52-69 . | |
| dc.identifier.isbn | 9780521157094 | |
| dc.identifier.uri | http://hdl.handle.net/2299/13735 | |
| dc.description.abstract | This chapter examines the adaptation, for the nineteenth century stage, of sensation novels and their impact on Victorian theatre. It discusses the role played by the censor, as well as the move towards spectacular special effects as one of the selling points of the adaptations. | en |
| dc.format.extent | 17 | |
| dc.language.iso | eng | |
| dc.publisher | Cambridge University Press | |
| dc.relation.ispartof | Cambridge Companion to Sensation Fiction | |
| dc.subject | sensation, theatre, novel, Victorian | |
| dc.title | Sensation fiction on stage | en |
| dc.contributor.institution | School of Humanities | |
| dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
| dc.contributor.institution | English Literature and Creative Writing | |
| dc.contributor.institution | English Literature | |
| dc.description.status | Peer reviewed | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
