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dc.contributor.authorCarboni, Marius
dc.date.accessioned2014-08-13T13:00:51Z
dc.date.available2014-08-13T13:00:51Z
dc.date.issued2014-06-01
dc.identifier.citationCarboni , M 2014 , ' The digitization of music and the accessibility of the artist ' , Journal of Professional Communication , vol. 3 , no. 2 , pp. 149-164 . < http://digitalcommons.mcmaster.ca/jpc/vol3/iss2/12 >
dc.identifier.issn1920-6852
dc.identifier.otherPURE: 7353354
dc.identifier.otherPURE UUID: 56de8fdd-d51f-48d6-abc3-2b31f5ac30fd
dc.identifier.urihttp://hdl.handle.net/2299/14367
dc.description©Journal of Professional Communication, ISSN: 1920-685. All rights reserved
dc.description.abstractThis article uses case studies to explore two ways in which technology can impact on artist production. First, technological innovations could facilitate many things that are not new by rather making existing processes better or cheaper in ways that might alter the situation meaningfully. Second, technology can change art through the more profound revision of the role of artist and art-perceiver (Fineberg, 2006). This article examines several examples of how the music industry has been impacted by new technology: Radiohead Rainbows, slicethepie.com, Ditto Music, Music Rainbow, YouTube Orchestra, micro-chunking and LiveFi. The article examines the impact of new technologies on classical music.en
dc.format.extent15
dc.language.isoeng
dc.relation.ispartofJournal of Professional Communication
dc.subjectDigital music, Filesharing, Music distribution, Music technology
dc.titleThe digitization of music and the accessibility of the artisten
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.description.statusPeer reviewed
dc.identifier.urlhttp://digitalcommons.mcmaster.ca/jpc/vol3/iss2/12
rioxxterms.versionVoR
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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