| dc.date.accessioned | 2015-02-24T15:03:22Z | |
| dc.date.available | 2015-02-24T15:03:22Z | |
| dc.date.issued | 2012-09 | |
| dc.identifier.citation | Smith , D , Composition and performance , 2012 , Performance . | |
| dc.identifier.other | PURE: 782902 | |
| dc.identifier.other | PURE UUID: 52ab48da-d13b-4896-aa7d-de8ee0a67cd6 | |
| dc.identifier.uri | http://hdl.handle.net/2299/15446 | |
| dc.description.abstract | First performance in London of the recital-length 10th Piano Concert, a collection of 70-odd pieces (which are approaching completion) each lasting about a minute. This is a set of discrete works, each of which is complete in itself as distinct from being a set of “miniatures” or “sketches”. There is a deliberate concentration on unusual and varied aspects of rhythm, resonance (especially those exploring the sostenuto pedal) and musical appropriation. | en |
| dc.language.iso | eng | |
| dc.relation.ispartof | | |
| dc.title | Composition and performance | en |
| dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
| dc.contributor.institution | School of Creative Arts | |
| dc.contributor.institution | Music | |
| dc.contributor.composer | Smith, David | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
