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dc.contributor.authorPurcell, Kerry William
dc.date.accessioned2015-06-16T15:21:08Z
dc.date.available2015-06-16T15:21:08Z
dc.date.issued2006
dc.identifier.citationPurcell , K W 2006 , ' Herbert Matter ' Baseline Magazine , no. 49 .
dc.identifier.otherORCID: /0009-0007-4835-3429/work/160261807
dc.identifier.urihttp://hdl.handle.net/2299/16050
dc.description.abstractFor over half a century, Herbert Matter pioneered a form of graphic photography that transcended the narrow limitations of what had been deemed possible in the medium’s short history. Continually challenging the literal image and the fetishistic desire for pure prints uncorrupted by manipulation or artifice, Matter identified the photographic process as permeable, continually suggestive to experimentation and adaptation. It was by viewing the traditionally subservient role of the camera as only one of many routes to original imagery, that Matter liberated photography, permitting ideas, impressions, and inspirations to come from any quarter or realmen
dc.language.isoeng
dc.relation.ispartofBaseline Magazine
dc.titleHerbert Matteren
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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