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dc.contributor.authorPurcell, Kerry William
dc.identifier.citationPurcell , K W 2000 , ' Alexey Brodovitch ' Baseline Magazine , no. 31 .
dc.identifier.otherPURE: 672226
dc.identifier.otherPURE UUID: b8d138e6-95d8-4398-be46-4a3ded706554
dc.description.abstractAs the revolutionary art director of Harper’s Bazaar at its zenith (1934–58), as an educator of some of the most renowned and respected photographers in recent history, and as a photographer who, with one book, set free the expressive potential of this medium, Alexey Brodovitch was one of the most important influences on visual culture in the second half of the 20th century. In the 25 years he spent at Harper’s Bazaar he became the archetypal modernist, charged with a restlessness that never permitted him to stand still. During these years he simultaneously revolutionized the concept of the magazine layout and introduced many photographers such as Cartier-Bresson, Robert Frank, Brassaï and Bill Brandt to an American audienceen
dc.relation.ispartofBaseline Magazine
dc.titleAlexey Brodovitchen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design

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