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dc.contributor.authorPurcell, Kerry William
dc.date.accessioned2015-06-30T09:36:56Z
dc.date.available2015-06-30T09:36:56Z
dc.date.issued2005
dc.identifier.citationPurcell , K W 2005 , ' The Crafty Linotyper ' Eye Magazine , no. 55 .
dc.identifier.otherPURE: 672200
dc.identifier.otherPURE UUID: f7195949-ebd5-400b-aca1-bfda0bcabc1d
dc.identifier.urihttp://hdl.handle.net/2299/16114
dc.description.abstractIn the autumn of 1936, the Swiss designer and pioneer of photo-graphics Herbert Matter arrived in New York as the official tour photographer for the Zurich-based dance company Trudi Schoop. Marking the end of a two-month tour of America, Matter’s arrival in the city occasioned an opportunity to decide whether he had a liking for the country and its way of life. Like many other European émigrés before and after, the abundance of companies, agencies and publishing houses that populated the city, convinced him to stay and exploit new opportunitiesen
dc.language.isoeng
dc.relation.ispartofEye Magazine
dc.titleThe Crafty Linotyperen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
dc.identifier.urlhttp://www.eyemagazine.com/feature/article/the-crafty-linotyper
dc.relation.schoolSchool of Creative Arts
dcterms.dateAccepted2005
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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