dc.contributor.author | George, Samantha | |
dc.contributor.editor | George, Sam | |
dc.contributor.editor | Hughes, Bill | |
dc.date.accessioned | 2017-04-20T08:40:46Z | |
dc.date.available | 2017-04-20T08:40:46Z | |
dc.date.issued | 2013 | |
dc.identifier.citation | George , S 2013 , 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed's 'vampiric painting' . in S George & B Hughes (eds) , Open graves, open minds : Representation of vampires and the Undead from the Enlightenment to the present day . Manchester University Press , Manchester . | |
dc.identifier.isbn | 978-0-7190-8941-1 | |
dc.identifier.isbn | 978-1-7849-9362-7 | |
dc.identifier.isbn | 978-1-5261-0216-4 | |
dc.identifier.uri | http://hdl.handle.net/2299/17985 | |
dc.description | Sam George, 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed;s 'vampiric painting', in Sam George and Bill Hughes, eds., Open graves, open minds: Representations of vampires and the Undead from the Enlightenment to the present day (Manchester: Manchester University Press, 2013), ISBN: 978-0-7190-8941-1 | |
dc.language.iso | eng | |
dc.publisher | Manchester University Press | |
dc.relation.ispartof | Open graves, open minds | |
dc.title | 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed's 'vampiric painting' | en |
dc.contributor.institution | English Literature and Creative Writing | |
dc.contributor.institution | English Literature | |
dc.contributor.institution | School of Creative Arts | |
dc.description.status | Peer reviewed | |
dc.identifier.url | http://www.manchesteruniversitypress.co.uk/9781784993627/ | |
rioxxterms.type | Other | |
herts.preservation.rarelyaccessed | true | |