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dc.contributor.authorGeorge, Samantha
dc.contributor.editorGeorge, Sam
dc.contributor.editorHughes, Bill
dc.date.accessioned2017-04-20T08:40:46Z
dc.date.available2017-04-20T08:40:46Z
dc.date.issued2013
dc.identifier.citationGeorge , S 2013 , 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed's 'vampiric painting' . in S George & B Hughes (eds) , Open graves, open minds : Representation of vampires and the Undead from the Enlightenment to the present day . Manchester University Press , Manchester .
dc.identifier.isbn978-0-7190-8941-1
dc.identifier.isbn978-1-7849-9362-7
dc.identifier.isbn978-1-5261-0216-4
dc.identifier.urihttp://hdl.handle.net/2299/17985
dc.descriptionSam George, 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed;s 'vampiric painting', in Sam George and Bill Hughes, eds., Open graves, open minds: Representations of vampires and the Undead from the Enlightenment to the present day (Manchester: Manchester University Press, 2013), ISBN: 978-0-7190-8941-1
dc.language.isoeng
dc.publisherManchester University Press
dc.relation.ispartofOpen graves, open minds
dc.title'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction - Dorian Gray, Dracula, and David Reed's 'vampiric painting'en
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionEnglish Literature
dc.description.statusPeer reviewed
dc.identifier.urlhttp://www.manchesteruniversitypress.co.uk/9781784993627/
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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