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dc.contributor.authorSausman, Justin
dc.contributor.editorEnns, A
dc.contributor.editorTrower, S
dc.date.accessioned2017-04-25T15:26:29Z
dc.date.available2017-04-25T15:26:29Z
dc.date.issued2013
dc.identifier.citationSausman , J 2013 , From Vibratory Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf. in A Enns & S Trower (eds) , Vibratory Modernism . 1 edn , Palgrave , Hampshire , pp. 30-52 . https://doi.org/10.1057/9781137027252
dc.identifier.isbn978-1-137-02725-2
dc.identifier.isbn978-1-137-02724-5
dc.identifier.isbn978-1-137-02725-2
dc.identifier.otherPURE: 10191251
dc.identifier.otherPURE UUID: 69bbd893-51b6-4ef5-bfc7-f3d86c02ce05
dc.identifier.otherScopus: 85015907616
dc.identifier.urihttp://hdl.handle.net/2299/18040
dc.descriptionJustin Sausman, From Vibratory 'Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf', in A Enns and S Trower, eds., Vibratory Modernism (Hampshire: Palgrave, 2013), ISBN 978-1-137-02725-2, eISBN 978-1-137-02725-2, DOI:10.1057/9781137027252
dc.description.abstractThis chapter explores the language of vibration in fin de siecle and early twentieth century occultism, gothic and modernism. It focuses on Algernon Blackwood's little known gothic novel The Human Chord, alongside Virgina Woolf and D. H. Lawrence.en
dc.format.extent22
dc.language.isoeng
dc.publisherPalgrave
dc.relation.ispartofVibratory Modernism
dc.titleFrom Vibratory Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf.en
dc.contributor.institutionSchool of Humanities
dc.description.statusPeer reviewed
dc.identifier.urlhttp://www.palgrave.com/gb/book/9781137027245
rioxxterms.versionofrecordhttps://doi.org/10.1057/9781137027252
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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