dc.contributor.author | Sausman, Justin | |
dc.contributor.editor | Enns, A | |
dc.contributor.editor | Trower, S | |
dc.date.accessioned | 2017-04-25T15:26:29Z | |
dc.date.available | 2017-04-25T15:26:29Z | |
dc.date.issued | 2013 | |
dc.identifier.citation | Sausman , J 2013 , From Vibratory Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf. in A Enns & S Trower (eds) , Vibratory Modernism . 1 edn , Palgrave , Hampshire , pp. 30-52 . https://doi.org/10.1057/9781137027252 | |
dc.identifier.isbn | 978-1-137-02725-2 | |
dc.identifier.isbn | 978-1-137-02724-5 | |
dc.identifier.isbn | 978-1-137-02725-2 | |
dc.identifier.uri | http://hdl.handle.net/2299/18040 | |
dc.description | Justin Sausman, From Vibratory 'Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf', in A Enns and S Trower, eds., Vibratory Modernism (Hampshire: Palgrave, 2013), ISBN 978-1-137-02725-2, eISBN 978-1-137-02725-2, DOI:10.1057/9781137027252 | |
dc.description.abstract | This chapter explores the language of vibration in fin de siecle and early twentieth century occultism, gothic and modernism. It focuses on Algernon Blackwood's little known gothic novel The Human Chord, alongside Virgina Woolf and D. H. Lawrence. | en |
dc.format.extent | 22 | |
dc.language.iso | eng | |
dc.publisher | Palgrave | |
dc.relation.ispartof | Vibratory Modernism | |
dc.title | From Vibratory Occultism to Vibratory Modernism: Blackwood, Lawrence, Woolf. | en |
dc.contributor.institution | School of Humanities | |
dc.description.status | Peer reviewed | |
dc.identifier.url | http://www.palgrave.com/gb/book/9781137027245 | |
rioxxterms.versionofrecord | 10.1057/9781137027252 | |
rioxxterms.type | Other | |
herts.preservation.rarelyaccessed | true | |