| dc.contributor.author | Broughton, Mark | |
| dc.date.accessioned | 2017-06-22T11:07:19Z | |
| dc.date.available | 2017-06-22T11:07:19Z | |
| dc.date.issued | 2003-04-12 | |
| dc.identifier.citation | Broughton , M 2003 , ' 'Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives' ' , Paper presented at ARTiculations, the 29th Annual Association of Art Historians Conference , London , United Kingdom , 11/04/03 - 13/04/03 . | |
| dc.identifier.citation | conference | |
| dc.identifier.uri | http://hdl.handle.net/2299/18411 | |
| dc.description | Mark Broughton, ‘Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives’, paper presented at ARTiculations, the 29th Annual Association of Art Historians Conference, London, UK, 11-13 April, 2003. | |
| dc.description.abstract | This paper compares how Brideshead Revisted and The Draughtsman's Contract utilise country-estate locations to subversive effect. | en |
| dc.format.extent | 180309 | |
| dc.language.iso | eng | |
| dc.subject | Landscape Gardens | |
| dc.subject | Country House Films | |
| dc.subject | Brideshead Revisited | |
| dc.subject | The Draughtsman's Contract | |
| dc.subject | genius loci | |
| dc.title | 'Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives' | en |
| dc.contributor.institution | School of Creative Arts | |
| dc.description.status | Peer reviewed | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
