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'Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives'

dc.contributor.authorBroughton, Mark
dc.date.accessioned2017-06-22T11:07:19Z
dc.date.available2017-06-22T11:07:19Z
dc.date.issued2003-04-12
dc.identifier.citationBroughton , M 2003 , ' 'Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives' ' , Paper presented at ARTiculations, the 29th Annual Association of Art Historians Conference , London , United Kingdom , 11/04/03 - 13/04/03 .
dc.identifier.citationconference
dc.identifier.otherPURE: 9812382
dc.identifier.otherPURE UUID: 69a70a94-1abb-4ed3-a65f-6c018bbfb44c
dc.identifier.urihttp://hdl.handle.net/2299/18411
dc.descriptionMark Broughton, ‘Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives’, paper presented at ARTiculations, the 29th Annual Association of Art Historians Conference, London, UK, 11-13 April, 2003.
dc.description.abstractThis paper compares how Brideshead Revisted and The Draughtsman's Contract utilise country-estate locations to subversive effect.en
dc.language.isoeng
dc.subjectLandscape Gardens
dc.subjectCountry House Films
dc.subjectBrideshead Revisited
dc.subjectThe Draughtsman's Contract
dc.subjectgenius loci
dc.title'Grounds for A Plot/Plotted Grounds: English Landscapes In Two Visual Narratives'en
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
dc.contributor.institutionMedia Research Group
dc.contributor.institutionCreative Economy Research Centre
dc.description.statusPeer reviewed
rioxxterms.versionAM
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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