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dc.contributor.authorPeacock, Steven
dc.date.accessioned2017-09-14T16:43:51Z
dc.date.available2017-09-14T16:43:51Z
dc.date.issued2014-11-01
dc.identifier.citationPeacock , S 2014 , ' The portraiture of Edvard Munch (Peter Watkins, 1973) ' , Critical Studies in Television , vol. 9 , no. 3 , pp. 22-31 . https://doi.org/10.7227/CST.9.3.3
dc.identifier.issn1749-6020
dc.identifier.otherPURE: 10586267
dc.identifier.otherPURE UUID: 3811cf6b-7db4-41f4-bf93-0109b1acf86e
dc.identifier.otherScopus: 85027048028
dc.identifier.urihttp://hdl.handle.net/2299/19397
dc.descriptionSteven Peacock, 'The Portraiture of Edvard Munch (Peter Watkins, 1973), Critical Studies in Television: The International Journal of Television Studies', Vol. 9 (3), September 2014, doi: https://doi.org/10.7227/CST.9.3.3.
dc.description.abstractThis article presents a discourse on the relationship between Edvard Munch's painting and Peter Watkins' film-making practice. It does so through a close critical analysis of Watkins' still under-celebrated 1973 tele-film Edvard Munch. The tele-film provides rich insights into the connections between the practice and aesthetic experience of painting, and that of filmed material. Feathering media and aesthetic categories, the piece also makes use of original interview content with Peter Watkins.en
dc.format.extent9
dc.language.isoeng
dc.relation.ispartofCritical Studies in Television
dc.titleThe portraiture of Edvard Munch (Peter Watkins, 1973)en
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionFilm
dc.contributor.institutionMedia
dc.description.statusPeer reviewed
rioxxterms.versionP
rioxxterms.versionofrecordhttps://doi.org/10.7227/CST.9.3.3
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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