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dc.contributor.authorMhlanga, Brilliant
dc.contributor.authorMpofu, Mandlenkosi
dc.date.accessioned2018-08-16T00:11:09Z
dc.date.available2018-08-16T00:11:09Z
dc.date.issued2017-08-14
dc.identifier.citationMhlanga , B & Mpofu , M 2017 , ' On Virtuality and the aesthetics of spectacle: Nationalist Imaginations of Mthwakazi and its passions of semblance : Nationalist Imaginations of Mthwakazi and its passions of semblance ' , Critical Arts: A Journal of South-North Cultural Studies , vol. 31 , no. 1 , pp. 64-81 . https://doi.org/10.1080/02560046.2017.1300925
dc.identifier.issn0256-0046
dc.identifier.urihttp://hdl.handle.net/2299/20362
dc.descriptionThis is an Accepted Manuscript of an article published by Taylor & Francis in Critical Arts on 14 August 2017, available online https://doi.org/10.1080/02560046.2017.1300925. Under embargo. Embargo end date: 14 February 2019.
dc.description.abstractAbstract Social networking and the individuated privacy of the virtual space have emerged as new forms of conflating social identities and free speech for most subaltern communities. While it is clearly accepted that the notion of social networking within most African communities has always existed as part of oramedia (orality), which also gained more positive value from grapevine as a notch of communication, current trends in communication, coupled with the rise of new media have brought normative and pragmatic values in the latter day communication culture. One social networking group from Matebeleland (Zimbabwe); the “Forum” will be used to show how the virtual sphere has revolutionised the Habermasian public sphere. We argue that the new tidal wave of social networking sites now enables participants to gather and connect through ‘Internet portals.’ We posit that these different fora define the extent to which engagement and free speech are practiced leading to changes in people’s worldviews. Opportunities have emerged for subaltern groups like the people of Matebeleland, from Zimbabwe whose sensitive discourses have been denied spaces in the local public sphere to gain traction through social networking sites. These online fora now range from different Facebook and Whatsapp groups, such as; Inhlamba Zesintu, Luveve Ikasi Lami, Abammeli Mthwakazi, Not-Everyone-is-Zimbabwean, Thina AbaMpofu, to websites like iNkundla.net, Youtube, and other vibrant platforms created through mailing lists and listserv, such as Forum. Given the complexity of the Matebeleland question in Zimbabwe and the rise of different internet based social movements this paper will focus on one social networking site; the ‘Forum.’en
dc.format.extent16
dc.format.extent928997
dc.language.isoeng
dc.relation.ispartofCritical Arts: A Journal of South-North Cultural Studies
dc.subjectICTs
dc.subjectMthwakasi
dc.subjectsocial networking
dc.subjectvirtuality
dc.subjectZimbabwe
dc.titleOn Virtuality and the aesthetics of spectacle: Nationalist Imaginations of Mthwakazi and its passions of semblance : Nationalist Imaginations of Mthwakazi and its passions of semblanceen
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionMedia
dc.contributor.institutionCreative Economy Research Centre
dc.contributor.institutionMedia Research Group
dc.description.statusPeer reviewed
dc.date.embargoedUntil2019-02-14
rioxxterms.versionofrecord10.1080/02560046.2017.1300925
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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