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dc.contributor.authorHoulbrook, Ceri
dc.date.accessioned2019-10-29T01:07:06Z
dc.date.available2019-10-29T01:07:06Z
dc.date.issued2018-12-01
dc.identifier.citationHoulbrook , C 2018 , ' Des pieces de monnaie au cadenas : Un spectre des depots contemporains ' , Techniques & Culture , vol. 70 . < https://journals.openedition.org/tc/9988 >
dc.identifier.issn1952-420X
dc.identifier.otherORCID: /0000-0003-2965-8853/work/64003649
dc.identifier.urihttp://hdl.handle.net/2299/21809
dc.description.abstractRitual deposition is as much a feature of the present as it was of the past. In fact, it could be argued that it is a more widespread feature, with folk assemblies emerging prolifically worldwide. From roadside memorials and mountaintop cairns, to wishing fountains and shoe trees, our landscapes are bestrewn with collective deposits. Such deposits are often low in economic value and are often given greater value by the design and delivery of goods. The coin, a prolific deposit, is a case in point. However, this paper argues that not all contemporary deposits are spontaneously made. Some are clearly planned; or a product of an assembly with the express purpose of being deposited. This is more in the ritual, and indicates that not all modern-day folk assemblies are casual and ad hoc. This paper discusses two forms of contemporary assembly: the British coin-tree and the global love-lock bridge.en
dc.format.extent171525
dc.language.isofra
dc.relation.ispartofTechniques & Culture
dc.titleDes pieces de monnaie au cadenas : Un spectre des depots contemporainsfr
dc.title.alternativeFrom Coins to LocksA spectrum of contemporary depositsen
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionHistory
dc.description.statusPeer reviewed
dc.date.embargoedUntil2020-12-01
dc.identifier.urlhttps://journals.openedition.org/tc/9988
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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