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dc.contributor.authorLaird, Mikayla
dc.date.accessioned2019-11-08T01:04:32Z
dc.date.available2019-11-08T01:04:32Z
dc.date.issued2019-01-09
dc.identifier.citationLaird , M 2019 , ' Breaking Panels, Breaking Time : Examples of the Connection Between Panel Construction and Narrative Time ' Sequart . < http://sequart.org/magazine/69493/breaking-panels-breaking-time-examples-of-the-connection-between-panel-construction-and-narrative-time/ >
dc.identifier.otherPURE: 17672518
dc.identifier.otherPURE UUID: 8f05d9f7-5133-48fd-bfe2-27e411845004
dc.identifier.urihttp://hdl.handle.net/2299/21850
dc.description.abstractIn Scott McCloud’s Understanding Comics, he makes the comment, “To kill a man between panels is to condemn him to a thousand deaths”. An incredibly evocative piece of language, and very poetic in itself. But what McCloud is referring to is how time works in the comic book medium. The space between panels and how we perceive time working within that space. How the space between panels does not have a fixed time frame. A panel can be separated by something as small as milliseconds, all the way up to thousands of years and beyond. Depending on the story being depicted, panels could even take place at the same time.en
dc.language.isoeng
dc.relation.ispartofSequart
dc.titleBreaking Panels, Breaking Time : Examples of the Connection Between Panel Construction and Narrative Timeen
dc.contributor.institutionSchool of Creative Arts
dc.identifier.urlhttp://sequart.org/magazine/69493/breaking-panels-breaking-time-examples-of-the-connection-between-panel-construction-and-narrative-time/
rioxxterms.versionVoR
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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