dc.contributor.author | Lanckman, Lies | |
dc.contributor.editor | Jeffers McDonald, Tamar | |
dc.contributor.editor | Kamm, Frances | |
dc.date.accessioned | 2020-01-24T10:49:18Z | |
dc.date.available | 2020-01-24T10:49:18Z | |
dc.date.issued | 2019-04-29 | |
dc.identifier.citation | Lanckman , L 2019 , 'I see, I see . . .' : Goodnight mommy (2014) as Austrian Gothic . in T Jeffers McDonald & F Kamm (eds) , Gothic Heroines on Screen : Representation, Interpretation, and Feminist Inquiry . Taylor & Francis Group , London , pp. 171-183 . | |
dc.identifier.isbn | 9781138710993 | |
dc.identifier.isbn | 9781315200545 | |
dc.identifier.uri | http://hdl.handle.net/2299/22115 | |
dc.description | © 2019 Taylor and Francis. This is an accepted manuscript of a chapter published by Taylor & Francis in Gothic Heroines on Screen: Representation, Interpretation, and Feminist Inquiry on 29th April 2019, available online: https://doi.org/10.4324/9781315200545. | |
dc.description.abstract | This chapter examines the Austrian film Goodnight Mommy in the context of the Gothic genre, and will, in doing so, interrogate this ‘peculiarly visual’ element as a necessary condition for a Gothic film, since the film does not, at first sight, appear to carry these specific visual markers frequently associated with the genre. It argues that this film – originally titled Ich Seh, Ich Seh, or I See, I See – is Gothic less because of any visual markers, and more because of what remains visually ambiguous, and indeed invisible, throughout the film. Goodnight Mommy focuses on a mother and her 10-year-old twin sons Elias and Lukas, who inhabit a large, modern house in the Austrian countryside. The relationship between the senses and Mommy’s status as a trapped Gothic heroine – both figuratively and literally – also connects with one of the central features of the genre: the female protagonist’s search for the solution of a central mystery. | en |
dc.format.extent | 13 | |
dc.format.extent | 961350 | |
dc.language.iso | eng | |
dc.publisher | Taylor & Francis Group | |
dc.relation.ispartof | Gothic Heroines on Screen | |
dc.subject | Social Sciences(all) | |
dc.title | 'I see, I see . . .' : Goodnight mommy (2014) as Austrian Gothic | en |
dc.contributor.institution | School of Humanities | |
dc.date.embargoedUntil | 2020-07-01 | |
dc.identifier.url | http://www.scopus.com/inward/record.url?scp=85071251379&partnerID=8YFLogxK | |
dc.identifier.url | https://www.taylorfrancis.com/books/e/9781315200545/chapters/10.4324/9781315200545-13 | |
rioxxterms.type | Other | |
herts.preservation.rarelyaccessed | true | |