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dc.contributor.authorGeorge, Samantha
dc.date.accessioned2020-03-27T01:05:18Z
dc.date.available2020-03-27T01:05:18Z
dc.date.issued2019-05
dc.identifier.citationGeorge , S 2019 , ' Wolves in the Wolds: Late Capitalism, the English Eerie, and the Wyrd Case of ‘Old Stinker’ the Hull Werewolf ' , Gothic Studies , vol. 21 , no. 1 , pp. 68-84 . https://doi.org/10.3366/gothic.2019.0008
dc.identifier.issn1362-7937
dc.identifier.otherPURE: 11079580
dc.identifier.otherPURE UUID: a3a2c4bf-f563-439b-aeb9-9785b2a34f29
dc.identifier.otherScopus: 85075044913
dc.identifier.urihttp://hdl.handle.net/2299/22506
dc.description.abstractIn this article, I depart from the earlier opinions of Emily Gerard, Sabine Baring-Gould, and others, who explained the disappearance of the werewolf in folklore as following the extinction of the wolf. I argue instead that British literature is distinctive in representing a history of werewolf sightings in places in Britain where there were once wolves. I draw on the idea of absence, manifestations of the English eerie, and the turbulence of England in the era of late capitalism to illuminate my analysis of the representation of contemporary werewolf sightingsen
dc.format.extent17
dc.language.isoeng
dc.relation.ispartofGothic Studies
dc.subjectwolves
dc.subjectwerewolves
dc.subjectHull
dc.subjectOld Stinker
dc.subjecteerie
dc.subjectwolds
dc.titleWolves in the Wolds: Late Capitalism, the English Eerie, and the Wyrd Case of ‘Old Stinker’ the Hull Werewolfen
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionEnglish Literature
dc.description.statusPeer reviewed
rioxxterms.versionAM
rioxxterms.versionofrecordhttps://doi.org/10.3366/gothic.2019.0008
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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