Show simple item record

dc.contributor.authorAkass, Kim
dc.contributor.authorMcCabe, Janet
dc.date.accessioned2020-07-01T00:01:29Z
dc.date.available2020-07-01T00:01:29Z
dc.date.issued2016-07-07
dc.identifier.citationAkass , K & McCabe , J 2016 , ' HBO and Its Legacy ' , Paper presented at AFECCAV Conference , Bordeaux , France , 6/07/16 - 8/07/16 .
dc.identifier.citationconference
dc.identifier.otherPURE: 10666638
dc.identifier.otherPURE UUID: e4ea2e38-ace3-4370-8daa-ed7d29fbce64
dc.identifier.urihttp://hdl.handle.net/2299/22926
dc.description© 2016 The Author(s). This an open access work distributed under the terms of the Creative Commons Attribution Licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
dc.description.abstractThis keynote seeks to explore what lessons we can learn from HBO, and how the company functions as a cultural site as it systematically sets about legitimatizing a discourse of television as art. So successful has HBO been in creating a particular restricted field of cultural TV production, set outside the mainstream TV networks—driven as they are by advertising revenue and ratings—and explains how HBO has incorporated artistic norms and principles of evaluation as their main model; and one which has had a profound and lasting impact on ways of thinking and doing television in the marketplace. In short we want to “follow up” on the legacy, of how the HBO brand has legitimized television.en
dc.language.isoeng
dc.titleHBO and Its Legacyen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionArt and Design
dc.contributor.institutionMedia Research Group
dc.contributor.institutionCreative Economy Research Centre
dc.description.statusNon peer reviewed
rioxxterms.versionVoR
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record