dc.contributor.author | Godman, Robert | |
dc.date.accessioned | 2021-06-07T13:45:00Z | |
dc.date.available | 2021-06-07T13:45:00Z | |
dc.date.issued | 2021-06-01 | |
dc.identifier.citation | Godman , R 2021 , ' Guilt, Agency, Listening and 32-bit – a composer’s need to capture the sound of Covid ' , Wildlife Sound , vol. 15 , no. 1 . | |
dc.identifier.uri | http://hdl.handle.net/2299/24561 | |
dc.description | © 2021 WILDLIFE SOUND RECORDING SOCIETY. | |
dc.description.abstract | As a composer and sound designer, academic and researcher, listener, cyclist, home-schooler and dad, my working patterns and life-style have changed enormously over the past year. Having taken for granted many aspects of our sonic environment, ecoacoustics [Krause 2015] and soundscape ecology, this has gradually evolved into a fascination with my local sound world. And I can only apologise! This is partly based on ignorance; partly based on the belief that I can’t listen ‘critically’ due to my locality, and certainly based on the erroneous belief I can’t ‘capture’ sounds due to my locality. One thing is for sure, my listening has changed. | en |
dc.format.extent | 8 | |
dc.format.extent | 942907 | |
dc.language.iso | eng | |
dc.relation.ispartof | Wildlife Sound | |
dc.subject | ecoacoustics, field recording, anthropophony | |
dc.subject | General Arts and Humanities | |
dc.title | Guilt, Agency, Listening and 32-bit – a composer’s need to capture the sound of Covid | en |
dc.contributor.institution | Music | |
dc.contributor.institution | Contemporary Arts Practice Group | |
dc.contributor.institution | School of Creative Arts | |
dc.description.status | Peer reviewed | |
rioxxterms.type | Journal Article/Review | |
herts.preservation.rarelyaccessed | true | |