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dc.contributor.authorO'Neill, Deirdre
dc.contributor.authorWayne, Mike
dc.date.accessioned2022-01-09T23:15:12Z
dc.date.available2022-01-09T23:15:12Z
dc.date.issued2022-01-02
dc.identifier.citationO'Neill , D & Wayne , M 2022 , ' The Acting Class and the Myths of Meritocracy ' , Journal of British Cinema and Television , vol. 19 , no. 1 , pp. 1-21 . https://doi.org/10.3366/jbctv.2022.0601
dc.identifier.issn1743-4521
dc.identifier.otherORCID: /0000-0003-4332-2117/work/106342789
dc.identifier.urihttp://hdl.handle.net/2299/25292
dc.description© 2022 Edinburgh University Press. This is the accepted manuscript version of an article which has been published in final form at https://doi.org/10.3366/jbctv.2022.0601
dc.description.abstractOur feature documentary The Acting Class (2017) is here contextualised in the context of a critique of the cultural industries as part of the ideology of meritocracy and a resurgence of work around class in the sociology of culture. The Acting Class focuses on the question of class stratification in the UK acting industry. We here review our research on this issue and contextualise it within the scholarly literature on diversity and inequality, the creative industries and the broader re-configurations of the political economy of British capitalism. We also discuss the importance of the interview in creative practice research as a way of democratising knowledge production and socialising experience.en
dc.format.extent21
dc.format.extent803991
dc.language.isoeng
dc.relation.ispartofJournal of British Cinema and Television
dc.subjectMeritocracy, acting, class
dc.titleThe Acting Class and the Myths of Meritocracyen
dc.contributor.institutionMedia
dc.contributor.institutionSchool of Humanities
dc.description.statusPeer reviewed
rioxxterms.versionofrecord10.3366/jbctv.2022.0601
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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