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dc.contributor.authorWalden, Kim
dc.date.accessioned2023-09-14T15:45:14Z
dc.date.available2023-09-14T15:45:14Z
dc.date.issued2023-03-23
dc.identifier.citationWalden , K 2023 , “Building Better Worlds”: The Rise of Alien’s Online Marketing Campaigns . in Alien Legacies : The Evolution of the Franchise . First edn , Oxford University Press (OUP) , Oxford , pp. 101-122 . https://doi.org/10.1093/oso/9780197556023.003.0006
dc.identifier.isbn9780197556030
dc.identifier.isbn9780197556023
dc.identifier.urihttp://hdl.handle.net/2299/26664
dc.description© 2023 Oxford University Press. This is the accepted manuscript version of an article which has been published in final form at https://doi.org/10.1093/oso/9780197556023.003.0006
dc.description.abstractAs transmedia film franchising developed with its characteristic reboots, sequels, prequels, and shared cinematic universes, promotion costs rose in an increasingly crowded and competitive marketplace. As a consequence, film marketeers have devised correspondingly creative approaches to promotion using the online environment and social media. This chapter considers the evolution of online film marketing, as blockbusters transformed into transmedia franchises expanding their storytelling across media platforms. Through an examination of the award-winning promotional campaigns for Ridley Scott’s Prometheus (2012) and Alien: Covenant (2017), the chapter will consider how transmedia film marketing campaigns have grown to include fictional evil corporate website worlds, “exclusive” events at media conventions (cons), personalized advertising, experiential advertising like VR simulations, and franchise universe sites. This investigation concludes that the reason Alien’s transmedia marketing is so compelling lies in its close proximity to the film’s production. As a consequence, these marketing campaigns are arguably becoming as entertaining as the films themselves. So, one of Alien’s legacies is that its “advertising is part of the picture.”en
dc.format.extent22
dc.format.extent369320
dc.language.isoeng
dc.publisherOxford University Press (OUP)
dc.relation.ispartofAlien Legacies
dc.subjectFilm marketing Film website Transmedia marketing World Building Topos/Topoi Fictional universe Paratexts
dc.subjectMedia conventions
dc.subjectFilm websites
dc.subjectExperiential marketing
dc.subjectTransmedia marketing
dc.subjectFilm franchises
dc.subjectGeneral Arts and Humanities
dc.title“Building Better Worlds”: The Rise of Alien’s Online Marketing Campaignsen
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
dc.contributor.institutionMedia Research Group
dc.contributor.institutionSchool of Creative Arts
dc.date.embargoedUntil2025-03-23
dc.identifier.urlhttp://www.scopus.com/inward/record.url?scp=85153839798&partnerID=8YFLogxK
rioxxterms.versionofrecord10.1093/oso/9780197556023.003.0006
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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