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dc.contributor.authorBuchler, D.
dc.date.accessioned2010-04-13T08:21:47Z
dc.date.available2010-04-13T08:21:47Z
dc.date.issued2004
dc.identifier.citationBuchler , D 2004 , ' The artefact as visible materialization: visual perception informing object analysis ' , Working Papers in Art & Design , vol. 3 .
dc.identifier.issn1466-4917
dc.identifier.otherPURE: 103006
dc.identifier.otherPURE UUID: 465b0efb-ea55-469a-bab4-2e49c70c12d6
dc.identifier.otherdspace: 2299/4410
dc.identifier.urihttp://hdl.handle.net/2299/4410
dc.descriptionOriginal article can be found at: http://sitem.herts.ac.uk/artdes_research/papers/wpades/vol3/dbfull.html
dc.description.abstractThis project stands on two theoretical pillars, one refers to theories and concepts relating to innovation and differentiation, and the other deals with visual perception. Marketing and psychology blend in order to look at how visual perception can enhance our understanding of product differentiation. The merger of design and psychology is not a new one, but usually what is seen are investigations of psychological desires, feelings, preferences, the soft, subjective side of humans. What is proposed here is the use of humans as tools, visual perception as an objective ruler, scaling visible design differences.en
dc.language.isoeng
dc.relation.ispartofWorking Papers in Art & Design
dc.titleThe artefact as visible materialization: visual perception informing object analysisen
dc.contributor.institutionSchool of Creative Arts
dc.description.statusPeer reviewed
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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