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dc.contributor.authorGodman, R.
dc.contributor.authorRichardson, L.
dc.contributor.authorMapp, D.
dc.date.accessioned2011-03-22T09:17:09Z
dc.date.available2011-03-22T09:17:09Z
dc.date.issued2011-03
dc.identifier.citationGodman , R , Richardson , L & Mapp , D , Alyona : [its making and performance] , 2011 , Performance , Oxford, England .
dc.identifier.otherPURE: 104475
dc.identifier.otherPURE UUID: 87aa0f92-08b2-45c1-89fa-287345a42dfa
dc.identifier.otherdspace: 2299/5513
dc.identifier.urihttp://hdl.handle.net/2299/5513
dc.descriptionThis poster discusses the interdisciplinary relationships found within the work and methods of delivery for linear narrative including aesthetic considerations of ‘liveness’.
dc.description.abstractAlyona is a 1-hour continuous set, presented as a live performance of Poetry, Hip-Hop and Immersive Sound.  The aim is to engage audiences through performance and documentation by offering unique and unrepeatable live events where the use of technology is transparent and visual. Audience perception of ‘liveness’ is a central component of the performance. We actively combine unlikely juxtapositions of place, material and style. The text for this performance was written as part of a wider and ongoing project called Edwin, the ambition of which is to use various literary and musical forms to plunder, reveal and cleanse the psyche. Alyona is a beautiful little girl spattered with snow. Edwin is an anthropomorphic fox dripping with blood.en
dc.language.isoeng
dc.relation.ispartof
dc.subjectnarrative
dc.subjectliveness
dc.subjectinterdisciplinary
dc.subjectHip-Hop
dc.subjectImmersive Sound
dc.titleAlyona : [its making and performance]en
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionMusic
dc.contributor.institutionResearch into Practice
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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