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dc.contributor.authorHolderness, G.
dc.contributor.editorRidgman, Jeremy
dc.identifier.citationHolderness , G 1998 , Shakespeare rescheduled . in J Ridgman (ed.) , In: Boxed Sets: Television Representations of Theatre . University of Luton Press/Arts Council of England , pp. 173-186 .
dc.identifier.otherPURE: 356710
dc.identifier.otherPURE UUID: 0c79c7c0-ec5a-4e3e-9c0d-00793f2cf7f4
dc.descriptionCopyright University of Luton Press/Arts Council of England [Full text of this chapter is not available in the UHRA]
dc.description.abstractThis set of essays delivers perspectives on the on-going debate on the arts in today’s society. Several methods of criticism are utilised and fundamental views are conveyed by practitioners from the theatre and television industries. With British television beginning in the 1930s, it was closely related to the theatre, and with the process of producing drama. These critical essays explore the way in which drama and theatre are depicted on British television. It examines how drama literature and existing plays are changed through the technologies and production of television and altered from a new audience. There are extended discussions on how Shakespeare’s plays have been mediated by television.en
dc.publisherUniversity of Luton Press/Arts Council of England
dc.relation.ispartofIn: Boxed Sets: Television Representations of Theatre
dc.titleShakespeare rescheduleden
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionEnglish Literature
dc.description.statusNon peer reviewed
dc.relation.schoolSchool of Humanities

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