| dc.contributor.author | Carboni, Marius | |
| dc.date.accessioned | 2011-12-20T10:01:00Z | |
| dc.date.available | 2011-12-20T10:01:00Z | |
| dc.date.issued | 2010-06-05 | |
| dc.identifier.citation | Carboni , M 2010 , ' Pop go the classics : When Nigel Kennedy's Four Seasons recording was released in September 1989, using pop techniques to market a classical release fr the first time, it was a move that changed the way classical music business operated forever, argues former record company press officer Marius Carboni ' , Classical Music Magazine . | |
| dc.identifier.other | PURE: 499888 | |
| dc.identifier.other | PURE UUID: 45085019-5a8e-4355-ab5e-8a5b501cb05c | |
| dc.identifier.uri | http://hdl.handle.net/2299/7387 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Classical Music Magazine | |
| dc.title | Pop go the classics : When Nigel Kennedy's Four Seasons recording was released in September 1989, using pop techniques to market a classical release fr the first time, it was a move that changed the way classical music business operated forever, argues former record company press officer Marius Carboni | en |
| dc.contributor.institution | School of Creative Arts | |
| dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
| dc.description.status | Peer reviewed | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
