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dc.contributor.authorPurcell, Kerry William
dc.date.accessioned2012-04-19T10:58:06Z
dc.date.available2012-04-19T10:58:06Z
dc.date.issued2011
dc.identifier.citationPurcell , K W 2011 , The Prisoner & Albertus . in I Heart Design . Rockport , New York , pp. 84-87 .
dc.identifier.isbn1592536824
dc.identifier.otherPURE: 653311
dc.identifier.otherPURE UUID: cf8e6f70-a249-41c9-95b2-35a13ed24b41
dc.identifier.urihttp://hdl.handle.net/2299/8398
dc.description.abstractI Heart Design is a collection of “favorite” designs as selected by 80 prominent graphic designers, typographers, teachers, scholars, writers and design impresarios. Designers have preferences, like modern over postmodern, serif over sans serif, decorative over minimal, but designers could not be engaged in design practice if they did not love design. The reasons for such a charged emotion varies from individual to individual, but there are certain commonalities regarding form, function, outcome, and more. Design triggers something in all of us that may be solely aesthetic or decidedly content-driven, but in the final analysis, we are drawn to it through the heart. Designs featured include the iconic CBS eye, the stark Kodak identity, the Coca-Cola bottle, and, of course, The Rolling Stones’ Sticky Fingers album cover.en
dc.language.isoeng
dc.publisherRockport
dc.relation.ispartofI Heart Design
dc.titleThe Prisoner & Albertusen
dc.contributor.institutionSchool of Creative Arts
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionArt and Design
dc.contributor.institutionTheorising Visual Art and Design
rioxxterms.typeOther
herts.preservation.rarelyaccessedtrue


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