| dc.contributor.author | Jayalakshmi, Jaya | |
| dc.contributor.editor | Swann, Joan | |
| dc.contributor.editor | Pope, Rob | |
| dc.contributor.editor | Carter, Ronald | |
| dc.date.accessioned | 2012-10-10T07:29:32Z | |
| dc.date.available | 2012-10-10T07:29:32Z | |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Jayalakshmi , J 2011 , The First Three Minutes : Seducing the Audience . in J Swann , R Pope & R Carter (eds) , Creativity in Language and Literature : The state of the Art . 1 edn , Palgrave Macmillan , Basingstoke , pp. 189-202 . | |
| dc.identifier.isbn | 9780230575592 | |
| dc.identifier.isbn | 9780230575608 | |
| dc.identifier.uri | http://hdl.handle.net/2299/9094 | |
| dc.description.abstract | The importance of an opening sequence in any short film is discussed, using Arranged Marriage (2003) as an example. I argue that a strong opening sequence is vital to keep interest in a film going. This is possible only if a film-maker takes maximum advantage of all the tools available to them - language, gestures, non-verbal communication, camera angles, the pace of editing, the music and sound design. | en |
| dc.format.extent | 14 | |
| dc.language.iso | eng | |
| dc.publisher | Palgrave Macmillan | |
| dc.relation.ispartof | Creativity in Language and Literature | |
| dc.title | The First Three Minutes : Seducing the Audience | en |
| dc.contributor.institution | School of Creative Arts | |
| dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
| dc.contributor.institution | Art and Design | |
| dc.contributor.institution | Media Research Group | |
| dc.description.status | Non peer reviewed | |
| rioxxterms.type | Other | |
| herts.preservation.rarelyaccessed | true | |
