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dc.contributor.authorMoyal-Sharrock, Daniele
dc.date.accessioned2013-01-08T17:59:16Z
dc.date.available2013-01-08T17:59:16Z
dc.date.issued2012-07-05
dc.identifier.citationMoyal-Sharrock , D 2012 , ' Cora Diamond and the Ethical Imagination ' , British Journal of Aesthetics , vol. 52 , no. 3 , pp. 223-240 . https://doi.org/10.1093/aesthj/ays022
dc.identifier.issn0007-0904
dc.identifier.otherPURE: 833773
dc.identifier.otherPURE UUID: 2c2053e1-2d0e-4270-8c9d-27a9544f6e0d
dc.identifier.urihttp://hdl.handle.net/2299/9523
dc.description.abstractIn much of her writing, Cora Diamond stresses the role of the imagination in awakening the sense of our humanity. She subtly unthreads the operations of the ethical imagination in literature, but deplores its absence in philosophy. Borrowing the notion of 'deflection' from Cavell, Diamond sees ethical understanding 'present only in a diminished and distorted way in philosophical argumentation' (2008, 57). She does, however, herself make a philosophical, if idiosyncratic, use of the imagination in her appeal to it for a 'transitional' understanding of nonsensical Tractarian remarks. I begin by delineating and endorsing Diamond's humanistic view of the creative imagination; I then argue against her opportunistic use of the imagination in her interpretation of the Tractatus and her condemnation of philosophical ethics.en
dc.language.isoeng
dc.relation.ispartofBritish Journal of Aesthetics
dc.subjectethics
dc.subjectCora Diamond
dc.subjectphilosophy of literature
dc.titleCora Diamond and the Ethical Imaginationen
dc.contributor.institutionPhilosophy
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.description.statusPeer reviewed
rioxxterms.versionVoR
rioxxterms.versionofrecordhttps://doi.org/10.1093/aesthj/ays022
rioxxterms.typeJournal Article/Review
herts.preservation.rarelyaccessedtrue


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