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dc.contributor.authorPeacock, Steven
dc.date.accessioned2013-01-09T12:59:14Z
dc.date.available2013-01-09T12:59:14Z
dc.date.issued2010
dc.identifier.citationPeacock , S 2010 , Colour . Cinema aesthetics , 1st edn , University of Manchester Press .
dc.identifier.isbn0719076420
dc.identifier.isbn978-0719076428
dc.identifier.otherPURE: 463032
dc.identifier.otherPURE UUID: 669cf623-dc62-493a-94d1-dc44992bb41f
dc.identifier.urihttp://hdl.handle.net/2299/9535
dc.descriptionCopyright Manchester University Press [Full text of this book is not available in the UHRA]
dc.description.abstractPeacock’s text ‘Colour’ is a rare example of writing exclusively about style in film. The book is the first monograph that examines close criticism of film colour, expanding across several decades and countries. It provides highly detailed analysis of films including ‘Three Colours: White’ and ‘The Green Ray.’ This text portrays a method of approaching, deciphering, and appreciating cinematic colour. The book also considers the ability of film to place colour in a shifting relationship with all the other types of style such as music, camerawork, lighting, editing and performance. This text is both accessible and creative, inviting the reader to view from a new perspective and varying ways, the overlooked element of cinema aesthetics.en
dc.format.extent112
dc.language.isoeng
dc.publisherUniversity of Manchester Press
dc.relation.ispartofseriesCinema aesthetics
dc.titleColouren
dc.contributor.institutionEnglish Literature and Creative Writing
dc.contributor.institutionSchool of Humanities
dc.contributor.institutionSocial Sciences, Arts & Humanities Research Institute
dc.contributor.institutionFilm
dc.relation.school
dcterms.dateAccepted2010
rioxxterms.typeBook
herts.preservation.rarelyaccessedtrue


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