dc.contributor.author | Peacock, Steven | |
dc.date.accessioned | 2013-02-04T15:00:26Z | |
dc.date.available | 2013-02-04T15:00:26Z | |
dc.date.issued | 2011-10-01 | |
dc.identifier.citation | Peacock , S 2011 , ' The Impossibility of Isolation in Wallander ' , Critical Studies in Television , vol. 6 , no. 2 , pp. 37-47 . | |
dc.identifier.issn | 1749-6020 | |
dc.identifier.uri | http://hdl.handle.net/2299/9838 | |
dc.description.abstract | This article considers perspectives of isolation as explored in the Swedish television series Wallander (2005-present). The series is thoughtful about the striving of a person, region and nation to preserve selfhood in an environment of constant flux and exchange. Set and made in contemporary Sweden, it is alert to the small-nation's position - geographical, socio-political, industrial - in the modern world. The series maps out distinct levels of attempted seclusion and intrusion across boundaries of the Swedish body politic, in national and corporeal forms. Wallander is a vital text in debates surrounding the blurring of boundaries between national television productions and film. | en |
dc.format.extent | 9 | |
dc.format.extent | 518477 | |
dc.language.iso | eng | |
dc.relation.ispartof | Critical Studies in Television | |
dc.subject | television, globalisation, Nordic Noir, Sweden | |
dc.title | The Impossibility of Isolation in Wallander | en |
dc.contributor.institution | School of Humanities | |
dc.contributor.institution | Social Sciences, Arts & Humanities Research Institute | |
dc.contributor.institution | English Literature and Creative Writing | |
dc.contributor.institution | Film | |
dc.contributor.institution | Media | |
dc.description.status | Peer reviewed | |
rioxxterms.type | Journal Article/Review | |
herts.preservation.rarelyaccessed | true | |