Field recording as a practice of landscape drawing

This text examines my field recording practice as a form of landscape drawing and, more closely, looks at drawing as both archive and instruction when trying to capture the event of a landscape with the multiple timescales perceived, and recorded, in the field. Taking landscape drawing as a method to collect observations for further development in the studio, I find analogies with both the process and concept of field recording and, ultimately, find an interrelation between resulting pieces of work in both media.