This paper describes some features of Wittgenstein's Nachlaß which lie on the boundary between text and graphics. These deliberately ambiguous features are introduced as part of Wittgenstein's method of using "text-experiments" ...

The argument I wish to develop describes one of the threads of continuity throughout Wittgenstein's work. Evidence for it may be found in his memorable use of visual analogy, for example of "seeing an aspect" through the ...